Eugenio Merino's work explores the discourses of political and economic power, with a particular focus on human rights,
historical memory, and the social consequences of authoritarianism. In recent years, his artistic practice has examined
the legacy of the Franco dictatorship and its continuing impact on contemporary Spanish society.
His work has been exhibited internationally at institutions and biennials including the 15th Cuenca Biennial (Ecuador),
Riga Quadrennial (Latvia), Kunstverein Wiesbaden, Halle 14 (Leipzig), WhiteBox (New York), Les
Abattoirs(Toulouse), B.P.S.22 (Charleroi), Station Museum of Contemporary Art (Houston), and MOCA Taipei. He
has also participated in major international art fairs including ARCO Madrid, VOLTA, Art Brussels, FIAC Paris, ARTBO
Bogotá, and ZONAMACO (Mexico City). His work has been featured in publications including El Arte de Invocar la
Memoria (2024) by Esther López Barceló, Art & Agenda (Gestalten), Arte Español Contemporáneo 1992–2013 by Rafael
Doctor, and Arte Emergente en España (2006) by Manuela Villa.